Menolak Dramatisasi: Strategi Sinematik Sebagai Posisi Etis Dalam Film Dokumenter “Kumpul” (Secuil Catatan Likuifaksi Palu)
DOI:
https://doi.org/10.22487/ejk.v13i1.2786Kata Kunci:
Dokumenter Partisipatori, Likuifaksi Palu, Memori Kolektif, Etika Representasi Trauma, Penelitian Berbasis PraktikAbstrak
Artikel ini menyajikan analisis berbasis praktik dari film dokumenter “KUMPUL” (Catatan Singkat tentang Likuefaksi Palu, 2021), sebuah film dokumenter partisipatif yang menangkap memori kolektif dua keluarga penyintas dari bencana likuefaksi Palu pada 28 September 2018. Studi ini meneliti bagaimana pilihan sinematik film, pembingkaian seragam, penolakan terhadap cuplikan bencana, ketiadaan musik pendukung, dan gaya wawancara formal secara bersamaan berfungsi sebagai strategi representasional dan sikap etis terhadap trauma para penyintas. Peneliti juga merupakan pembuat film dari karya yang dianalisis; oleh karena itu, transparansi metodologis mengenai posisi ini, termasuk protokol manajemen bias sistematis, diutamakan. Studi ini menggunakan kerangka penelitian berbasis praktik yang dikombinasikan dengan analisis tekstual reflektif. Secara spesifik, analisis ini menemukan bahwa pembingkaian yang seragam berfungsi sebagai mekanisme untuk menyamakan otoritas kesaksian di antara subjek, sementara ketiadaan musik mentransfer seluruh beban dramaturgi ke narasi lisan subjek.
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